Gloria, Writer’s Block, Albert Einstein

February 27, 2007

Warning: Some harsh language.

I don’t believe in writer’s block. Never have. There’s a few reasons for that. First, writing isn’t “writing”. There’s a whole process behind writing that readers will never comprehend and most publishers don’t get it either (and they shouldn’t; ka-ching). Second, in other creative humanistic areas, e.g. acting, dance, music, and in some cases science, there is an immediate result that can be seen, heard or measured of one’s work. The thing that makes writing special is the process beyond consciousness. Don’t get me wrong, I’m not talking better-than-though stuff here. Respect to all actors, dancers, musicians and scientists. It’s just that there’s a level of abstraction involved in the writing process that goes deep, it goes beyond what people can see (read), hear and measure. Does that make any sense? Does it sound like I’m trying to toot my own horn?

Tooting is not as fun as it may seem.

What I’m trying to get at is the idea that what a writer produces is only the tip of the ice-berg and that’s good. Even after what a writer produces is “published” there’s still the process, the same process, of writing and the mind. So, if you’re a “writer” and you say you have “writer’s block” then I suggest you lightin’ the fuck up.

Let me try another really whacked-out analogy.

People think that Albert Einstein was a genius because of Special Relativity (SR) and then General Relativity. To me, SR/GR would have been discovered with or without Einstein – it was/is inevitable. It’s the same with Galileo and Isaac Newton. Yet, to me, it is the process that Einstein (must have) used to get to, for example, SR that is important. The problem today with Einstein’s work is that it is very unfinished and there are no out of the box thinkers in science anymore to continue – let’s say…

The AE thinking-out-of-the-box-trend.

(“String”, “M” and whatever theories can bite me!) Ultimately, IMHO, the only thing that Einstein did was to some how separate his way of thinking from the crowd – better than anyone else – and then, somehow, continue on. I mean, come on, where would SR be without stuff like Lorentz transformation?

I’m not here to diminish Einstein’s achievements but I think that somehow even he would agree that the problem with solving and/or finding a solution to the problem that was there with or without him (finding a universal theory?) lies in the actual process of doing it. But who really looks into that process? And more importantly, who cares! In Einstein’s case SR lead to GR and GR was as much an open book as SR until GR. Or something like that. Right?

Whoop-t-do.

What’s the difference to writing a novel? Is thinking of it, doing it, getting it published relative? I say, if writer’s block stops a writer from being productive then what stopped Einstein and subsequently every scientist since from discovering a universal theory (UT)?

I digress – and take dump with a strong westerly wind.

Perhaps the attitude (f-off, f-you, etc.) that I’ve been dealt via the Greek Gods ain’t such a bad thing. Sure, I’m a complete failure in the sense of gettin’ published and making any money. But in the sense of typing or writing gibberish, I’m such a winner that sometimes, after my second bottle of wine every evening, I’m just a bucket of crackling monkeys. Seriously. I finish typing something, take that last swig from a bottle of Chianti, twiddle air across my lips, jiggle my tongue, make a strange sound that is between whistle and sucking and just dance around the room hoping that my tally-whacker will fall out of my zipper all by itself – just like it used to do when I was young. I certainly don’t care at that moment what a reader thinks of what I’m hacking on a keyboard. I’m not trying to put down readers but it’s obvious that there are those who can create and hence cause human imagination to stir and there are those who cannot. When I don’t write it’s not because I can’t think of anything – that would be ridiculous. Thinking of things is all I do 22×7 (the other hours I’m stoned too much to even hit the keyboard with my fist). Instead, when I can’t write it’s mostly because I’m lazy and, especially now, just plain fed-up with failing for so long.

As I’ve mentioned before here in another language I’ll finally mention it again in this language. Focus now because this is important.

Vaclav Havel said that writers need two things:

  1. time
  2. peace

Havel is absolutely right. I bet if Einstein would have had them after GR he might have found UT. I am finishing my novel LOP every sober moment of my dismal life but I haven’t written a thing on paper for it in almost two years. Yet I don’t blame something as silly as writer’s block for that. The really sad thing is I don’t write it down because I know that those f’n Greek Gods are against me. But they’re only against my success. In the mean time, I recently started a new short story that I’m tentatively calling “Gloria” and it’s about all that boring krapp so deserving of writer’s block: love, relationships and a woman who had her heart removed by a really weird accident and survived. Here’s page four of what I’ve not been blocked from writing so far.

Warning. It’s a real mess. Check back for further installments.

gloria_4.jpg

Technorati Tags: , , ,

powered by performancing firefox


Dodo, Example Of Failure

February 26, 2007

The Flight of the Dodo used to be one of my favorite works. It’s ironic that I would write a play about, among other stuff, failure and then end up being one. Yet, ever since I was young I was fascinated with the Dodo bird and that eventually lead to this story. To this day I’m not quite sure why but this extinct bird holds a special place in my heart. This has something to do with failure and the fact that the Dodo is considered by many to be the first animal on record that is extinct because of man. Here’s another silly post about Dodo.

So f’n what.

I started writing my play The Flight of the Dodo in/around ‘91. Worked on it till ‘92 and then produced and directed it in that (sarcasm!) fabulous town where creativity rules. Here’s the playbill and poster we used.

dodo_playbill_a.jpg

As usual, it bombed. At least I had a good time writing this play. While I was writing it I was doing some bimbo and let me tell you (male) writers out there: there’s nothing better than having a good f*+#& to clear your mind and then sit down at a typewriter. Write for about three hours, have a glass of wine, make love to your bimbo for another hour and then back to the hacking. But that’s neither here nor there – except if you marry – which will ruin everything!

The really sad part about this play is that I actually lost the German translation to it. Seriously. I cannot find it. This occurred when I switched from Mac to PC in 2000. My best guess is that the German version got lost somewhere between hard-drives. (Had to switch to PC because I couldn’t afford Apple’s idiotic price/product politics anymore.) Sad, eh. Oh well, it’s not as though it matters – I write mostly on a typewriter and then OCR to PC.

Dodo is obviously poooooorly written. I guess. Tried to re-do-write this play in 2000 but that didn’t work out. By that time I was knee-deep in an awful marriage to an awful woman who, like most women, think that love is an end when it is (should be) a means, well, that’s why relationships go bad. Anyway.

Gave the script about two years ago to a theater decider-of-fate and like most of my work, when I asked what he thought of it – the subtext of my question being: well, would you like to do it? – all I got was…

You have very diverse characters; you should probably write accents into the text.

What the fuck is wrong with these people? Why have I failed so much even though I can come up with this kind of stuff? This is really good stuff. Of course this or that should be written into the text. Of course grammar should be spotless. My name should be David Mamet, too. But It and I am unknown and powerless so the only thing that should mean anything is the story and the fact that creativity is working. The rest, i.e. grammar, dialog, accents?, are no brainers and can be done toot-sweet. We (artists; those who only want to create, as opposed to follow and regurgitate via the whims of producers and profiteers) are stuck now in a world of pop-culture – or the world of throw-up as entertainment. I mean, come on, imagine a play where two young Americans try and kill themselves and because they fail at that meet up with a bunch of other failures from recent human history – in this case: two WW2 soldiers, one from Germany, the other Japan, a Soviet Union fighter pilot shot down over Afghanistan and a Dodo bird. And all of these people are looking for salvation – in life, not in death.

Isn’t that interesting? Worth a production in the basement of a theater?

Of course not. It’s depressing. It questions life and how we live and… I know… Shut the F’ up you ditz.

Oh. The theater world no longer has any use for “writers”. There are so many f*+#& writers out there and we all are struggling for the same empty pot of gold at the end of the tunnel controlled by someone else. This sucks.

Krapp.

Rant on.

-tgs-

Technorati Tags: , ,

powered by performancing firefox


Typing Practice, Gibberish

February 23, 2007

The post below is a little tale of a bloke and his experience with typing, computers and typewriters. Not necessarily in that order.

Here and here are posts about some of my manuals.

But before I get to the post about gibberish here my two cents on travel typewriters: One of the best travel typewriters ever made is the Olivetti Lettera 22.  A fantastic design including lots of functionality. The German made Princess 300 is a great machine, as well, but it ages even worse than the Italian. Although it has limited functionality compared to the two mentioned above, the best manual travel typewriter is the Hermes Baby. I have three of these things made prior to the end of the ’50s and they all work as though they were new. I guess the Swiss made typewriters like they make watches.

Here and here an example of my work on various manuals. Here and here for more scans of really bad typing.

More two cents: Writing only works “analog” for me. I will use a “word processor” but only after I’ve manually typed most of the text. Then comes OCR – which you’d think the techies could finally get right – and some re-writing. When I get blocked from writing it’s usually when I have to work with electronic technology. I guess I’m an old, stubborn stickler. But I will say this about computers: I never paid attention in school; I can’t spell for shit and grammar…? Please. So there. No matter how much silly nostalgia is in me, no matter how romantic it all sounds, I’m still a product of the technology revolution and dumb-downing.

Yes. Praise the machines of yesteryear and the men and women that didn’t have to give their lives making them.

The thing that gets me tangled up about all this technology stuff is reality… Or lack thereof. Writing on a computer, as convenient as it may be, scares the do-dads out of me because of how easily things disappear. With a push of a button or click here or there it amazes me that the stuff I type into a computer can just go away. There’s something wrong with that.

Maybe that’s why I have so many notebooks filled with really sloppy handwriting. On the other hand, there’s my collection of various manual typewriters. There is nothing like being productive on a manual typewriter.

The WorstTypeWriter When I moved to Germany in the late 80s – to fill the gap of leaving an old heavy Royal and a small Smith Corona in the states – I bought a brand new manual (sorry for the bad pic here) AEG Olympia Traveler. I was actually tickled to death to see this thing for-sale in a department store. It cost about 160,- Deutsch Marks – which should have been reason enough to save the store that has since fallen to the whims of German pseudo-free-market-economics. The AEG has done it’s share of work for me but was relegated to being a spare because I wore it out. That’s when I happened across a Olympia SM3 at a flee-market. I think I paid 50,- Marks for it. I ended up using that machine for a few years till the platen wore out. After that I moved on to electric typewriters – most of which I have since thrown out. Needless to say I prefer manual typewriters. I love the feel of them, the touch of them, the smell of them…

Here’s a cool site regarding manual typewriters.

My first experience with a typewriter goes back to high-school (we’re talkin’ seventies here ;-). I took a typing class in the eleventh grade and by the time I graduated I was, I don’t know, something like the second or third best typer (is “typer” a word?) in the entire school. Seriously, I was a guy, I was a jock and… I could type. The typewriters used then were IBM Selectrics – and they are probably the best electric typewriters ever. Even today, when I scan that silly auction website I’m just about that close to gettin’ me a Selectric. Who knows, maybe someday I’ll get over my minimalist, tech-less passion and get homey with a Selectric… Nah. I’d rather have an Underwood Noiseless.

Someone gave me an electric typewriter once.

When I got into college (we’re talking early 80s here) some really nice chick told me that her office was giving away equipment. They were clearing out old stuff to make room for the new-fangled computers. (This was back in the day when the PC Junior was the shit.) My first reaction was, “sure”, I’ll take a free typewriter. And I somehow hoped that what she would eventually bring me was an IBM Selectric. Up to that point I was using the “public” typewriters (again Selectrics) in the basement of the University library to write my stuff. Anywho, the nice chick brought me a huge desk covering typewriter made by Xerox (aghast). I mean this thing was big. It even had an LED screen that ran almost the entire length of the keypad. I thought out loud as I carried the monster from her car to my room, “could you have picked out something that was a bit smaller?” Oh well. You know what they say, even though it was big and cumbersome and loud… Beggars can’t be choosy.

The Xerox monster had everything. Spell check. Thesaurus. It could save I-don’t-know-how-many thousand words and at the push of a button retype them all. It automatically fed the paper and measured margins. It had automated templates for things like resumes and legal documents. It could center text, automatically hyphen and when I needed a tissue to blow my nose, at the push of a button, it would crumble up a standard sheet of paper till it was soft and hand it to me with an R2-D2-like ping. Wow. Even though I hated it’s size and weight… I used that thing to type like a madman. I remember leaving it at a dump before my move to… Europe.

Let’s skip about a decade.

Like all the other lemmings in the western world, I gave in to technology. I bought my first computer in the mid eighties. I remember working on it and feeling funny.

Self 1: (Typing.) What’s that feeling?
Self 2: I don’t know.
Self 1: Do all the words you type feel right?
Self 2: I don’t think so.
Self1: Where’s that old manual typewriter?
Self 2: Oh yeah…

One day I thought, after using computers for so many years at work, in daily life, email, etc., technology is not always good. Oh, how relieved I was when I finally starting using manuals again. Unfortunately, I discovered that storage in a damp German basement didn’t serve the two machines I owned very well. In fact, I was so apologetic that I even offered the machines a bit of wine hoping that would clear-up any rust or other ailment. I also realized at that point that all the flee-markets had disappeared. I found myself immediately searching that silly auction site and low-n-behold…

Check out the links above for posts on the various manuals I’ve collected over the years.

Anywho. As part of my daily routine of writing I often come up with gibberish such as the scans below. The only thing I wish a manual typewriter had is that automatic spell check stuff. I mean, my spelling isn’t really as bad as it looks because, to be frank, I can type faster than any manual can write. Seriously. I have to control my fingers, calm them; the only thing that helps both typewriter and me get through this little quirk is to drink lots of Tuscan wine. But that’s just a small part of why I’m (Worst)Writer. If you care to have a look and can over-look all the typing errors, I particularly like ‘D’ from the pics below and the thoughts of AE (Albert Einstein) who has been in my (worst)writing mind a lot for the past year…

type_a.jpg type_b.jpgtype_c.jpgtype_d.jpgtype_e.jpgtype_f.jpg

-tgs-

Technorati Tags: , ,

powered by performancing firefox


Yankees, Trying To Find A Way Back

February 21, 2007

Writing exercise, training, maintaining the skill – these the thoughts I used to have regarding writing and they come from youth. As a youngster I played a lot of sports. Coaches and trainers always told me that to rise in the world of sports you must train and train and train and never stop training. They would say things like, if you could actually spend one day of training with a top tennis player then you would see why these people are the best at what they do. When I eventually realized that all that sport was an utter waste of time – except for the people skills I learned in team sports – life was a hard pill to swallow. The team sport skills learned were thrown out the door with the first corporate job that I had and continuously thrown out with every other corporate job that I had. I couldn’t believe, although words like “team” and “team player” were used every day, that ideas and concepts that were quintessentially good could be so easily corrupted by compulsive labor. By the time I was mid-twenties, I realized how much making-a-living sucks.

Lemming? Sheople? Time to wake up…

When I realized I wanted to write I tried to apply much of what learned in sports to my writing. You know, the discipline, perseverance, all those old chestnuts. So I would get up every morn and break out my old typewriter and type at least one page of dilapidated text. That was only breakfast. I wouldn’t go to bed until I had typed at least two thousand words, sometimes twenty-five hundred. It didn’t really matter what I wrote but, as stated in my previous post and here, the only thing that mattered was that I moved finger tips across the keys.

A mistake indeed – because I produced a lot of gibberish – but fun all the same.

Hacking, pounding, imagining that what I thought, the actual thoughts in my brain, could transpire across the space-time continuum and acquire at least a speck of E=MC (intentionally without square). Now that everything is lost, there is no hope anymore, I wonder if there is still a chance of…

Yankess flash fiction

 No, of course there’s no chance. So what made me get up this morn and type this mess? Although it makes no sense, is basically incomprehensible, the keys on my typewriter still feel great and I don’t give hoot what people think about what I throw-up on a page.

-tgs-

Technorati Tags: , , ,

powered by performancing firefox


Another Worst Writer, Is Blogging Worth It

February 20, 2007

I never really liked the word blog and I especially don’t like the word blogging. Sounds ditsy. Sounds like something white-trash would use to describe a town event that involves naked breasts and beer/bier. But I am a tolerant soul and I think I’m able to appreciate this whole tech thing that is taking over the world – albeit not for the better. I recently had a blogging encounter with an aspiring writer that I think is worth this post.

This guy is worth a look. Not a bad writer, I think.

Although I’m very skeptical whether or not blogging is a way for aspiring writers to write, there are obviously many people who would disagree. I blog because, well, I’m a failure; I can’t get published. And now that the oomph has run away from me… You know, I can’t swim up river anymore, or, it’s time to face the reality that for the past twenty years there is a legitimate reason why no publisher wants me, etc., etc. So instead of being serious about writing I’m trying to make use of the only skill I really have: typing – a very useful skill for blogging. And, this is gonna sound weird, not unlike the macho ball grab, I just plane love to type as you can see here and here. Of course, I still love to write but the blog thing is a venue to rant and not a place to “write”. The guy mentioned above, if the profile is true, is quite young and he seems to want to “write”. He should utilize his time to write stuff for “real” publication. I guess. Remember, one of the goals of this site is to provide example of how not to write. I can’t make it as a writer and now that I’m too old and out-side the demographic and a bit chaotic with my writing, well… For me it’s too late. But others should look at the success stories in writing. I’m talking about (aghast) Dan Brown or that very nice lady who wrote the boy-magician krapp. Or, if you can’t stand pop krapp then check out this guy. Find out what publishers want and give it to them. Once you’ve established a voice as a writer then you can write what ever you want. If you do it like I do it – which basically means telling publishers and readers of your work that if they don’t get it or like it then they can just go fuck themselves – you’ll end up “blogging” for the next twenty years.

Rant on.

-tgs-

Technorati Tags: , ,

powered by performancing firefox


Chewing Tobacco And Culture

February 16, 2007

Anyone out there remember when you could smoke on transatlantic flights? Weren’t those the days? Now, I was only a casual smoker then but I recall that one of the hardest things about being a smoker was getting a smoker seat on a transatlantic flight. As the years went by and the anti-smoker campaigns started to take hold, the airlines kept reducing the seats available for smokers and there you have probably one of the only real, functional examples of supply and demand in contemporary western predatorial capitalistic society.

Luckily, I learned early that if you’re gonna be fixed on something then you better know the alternatives to getting it in your system. As far as I’m concerned, the best way to get nicotine into your system is to chew tobacco. That’s right. Redman or Skoal, Beechnut or Copenhagen. Although I preferred a chew to smoke, there was always a need to light-up, especially since I had a really cool collection of Zippo lighters. Also, I’m one of them movie-influenced-dudes that thinks the world of only the “act” of lighting a cigarette – I was never much for inhaling.

When the airlines finally banned all transatlantic smoking I was ready for it. I had my chewing tobacco and a small spittoon in the form of a returnable plastic coke bottle wrapped in duct-take with a plastic cap. This was a make-shift, cheap spittoon but very functional. The tape, for those of you who don’t get it, was to hide the nasty appearance of what’s inside. So the smoking ban didn’t have that much of effect on me.

Anywho.

You may or may not know it (by reading this blog), but not only do I have few friends, I’m not very personable. It’s usually why I always try and get an isle seat on a plane. For me an isle seat makes getting away faster. Now. I’ve crossed the Atlantic so many times that it ain’t funny. Seriously. I know there are corporate morons out there that cross it more than I, but I crossed ALWAYS in economy and more than not, I paid at some discount travel agent – which, if you know anything about the airline industry, the “how” you buy your ticket is indicated in the form of a code on the ticket so that airline service personnel can treat you like a sub-human.

One particular transatlantic flight will always remain in my memory and it contains two happenings. One, after choking on a chew – which I rarely do – I actually spit tobacco juice on the pants leg of a fat man and after I did that I never heard from him. Two, I had to book the flight on early notice which meant I had limited seat choice.

I gave up on the poor and arrogant service of US carriers way back but this time I was doomed to fly yet one more time with Delta-USAir-United-whatever. The US airline industry is really one single company, there is no competition and there is certainly no originality or service. The reality is, that’s basically twenty-first century American business in general.

My biggest fear of flying was having to sit next to people that would try and sell me something. So I asked at the check-in counter if they could give me an isle seat and if they at least wouldn’t seat me next to sales people. The check-in agent giggled. On this particular flight I got stuck in the middle row, in a middle seat. And to make it even worse: I sat next to that which makes America – especially bumfuck America – really obnoxious. America barely manufacturers anything anymore and as far as the so-called “workforce” is concerned, it’s full of nothing but compulsive behaviorist computer programmers or “project managers” or Mc-Jobs or ugly and useless civil servants and last but not least… sales personnel.

Aghast.

I was given a seat on that flight next to Marge and Michael from bumfuck America. My designated seat was actually between the two but we managed, believe it or not, to arrange that they sit together. And what did M & M do for a living? They were selling some kind of new-fangled pyramid-like time-sharing krapp for cellular network nodes. Or something like that. They were in Germany at a convention that was trying to sell the same shit to Europeans. The thing about bumfuck America and the American’s ability to make a living out of doing almost nothing is that they’re able to regurgitate snake-oil and people buy-in to it almost every time – no matter where they’re from. Thank goodness I’ve moved far away from that krapp. The sad thing is, it’s been catching up to me ever since.

There’s really not much to say about the conversation with M&M except that even before the plane took off they tried really hard to recruit me into their world. After we reached cruising altitude I took out a chew and spittoon and had me a “dip” as the two sellers of freedom and wealth kept talking to the wind.

“What do you mean, you’re not interested in getting rich. Ha, ha, ha,” M asked me.

“Material wealth doesn’t interest me,” I said. “I’m a writer.”

In the beginning they felt bad for me. But then it turned into their American challenge.

“Say. You earn money at that,” M asked.

I responded with a “not really” and hoped that would end the judgment. But they thought it was just a-tickle that an American would actually move to Germany, not work regularly and then say that he’s a writer. When they heard that I spoke such good German bells started ringing in their small brains. I asked if either would like to have a chew and held up the taped-up bottle.

“Naw. You go right ahead, though, we’re used to that back home,” the other M said.

They had moments of small talk between themselves which always lead to them coming back to me. It’s amazing to me how people cannot take a hint – as I had my spitting head buried the whole time in a book.

“So… you don’t actually make a living with that writing stuff, do you then,” M asked.

“But you can speak German real well and all you do is write? You seem like a bright fellow. You should get into sales. How do you keep doing something that gives you no success? That don’t seem right,” the other M said.

“Well, perhaps it’s not right or perhaps I measure ’success’ differently than you. I’ll certainly never be able to buy a house,” I say. “Tell me. How many garages does your house have,” I asked.

“Four. Detached,” M says. “But what’s the sense of writing if you can’t make any money at it?”

“I believe in culture, I also believe in creativity. I’m very fulfilled when I write,” I said.

“Well, bust my britches,” M says. “If that don’t just take it all. He’s an elitist. You mean to tell me that you don’t really work, I mean, do anything, you just… write,” the other M asks.

“I suppose you could look at it that way. I’m kind of blocked right now, you know,” I said and spit in my spittoon, recapping it.

“Where we’re from you can take something for that blockage,” the other M says and giggles.

“Have you ever seen a theater play,” I asked.

“Maybe when I was in school,” M says. “We don’t need that sort of thing. We work for a living, you know.”

“Do you have children,” I asked.

“Of course we have children, we’ve been married for eighteen years. Our oldest is helping us with our business. The two younger ones are still in school.”

“You don’t want them growing up without any cultivation, do you,” I naively asked.

“I want them growing up and having it better than me,” M says. “I don’t reckon you can buy anything with cultivation.”

“Yeah,” the other M adds. “I just don’t know if writing is a good thing. The last time I was in a book store there were too many books. Couldn’t make anything of it.”

“I know what you mean there,” I said. “Why were you there, then,” I asked.

“Wanted to get me one of them, you know, ‘how-to’ books. On selling. They can be very helpful. The good ones come with cassettes so you don’t even have to read it. You know, you should get yourself a copy of… What’s that book,” M asks the other M.

“How to win friends and influence people,” the other M says.

“Say, why don’t you write a book like that? It’s a bit out-dated. Or. Say. Here’s an idear. Write a book on how to get along with these Germans. Don’t get me wrong. They sure are nice people. They work hard. Hell, we’re making a mint off them. But….”

I grabbed my backpack and the in-flight reading material within and took out a copy of…

getting_along_german.jpg *

“You see, it’s not that there are too many writers or too many books,” I say. “There’s just not enough creativity in the world. Which means all that’s left to do is sell something. I’ll have nothing to do with what you’re selling, thank you.”

I looked at them both and hoped that their instincts would finally kick-in and help them realize that their presence was a trial and their brainless albeit wealthy existence, like modern-day society, was/is an insult to what it means to be human.

“You certainly are good a tootin’ your own horn, I’ll give you that,” M says.

“Thank you,” I say. “If you’ll excuse me…”

I looked around the cabin of the plane for an open seat and found one near the back. I gathered all my stuff (notebooks, books, spittoon, backpack) and just as I was about to leave a large fellow was navigating his way hurriedly down the isle. As he approached me I was just crossing the seats to enter the isle. M&M were in the isle to let me out, blocking it. We packed the isle and the large fellow that was moving fast said ‘excuse me, please” at least three times when he arrived at the blockage. M told him to hold a sec. I got my elbows out of the way so the big fellow could get by and one M was negotiating back to her seat. Here the big fellow thought he could just pass and started to push his way through, shoving me and M up against the side of the seats. The large fellow hit one of my elbows and that caused a slight ricochet of extremities. This lead to me dropping a book. When M was jolted one of his hands swung around and swatted my falling book. The big fellow noticed the havoc he caused and, just as he did while navigating the entire isle, he stopped and turned to me and said, “excuse me, please, but I have to get to the bathroom now!” He was pale and beads of sweat were gathering on his forehead. I tried to turn around again to squeeze against the seats so that he could squeeze by me. M was grabbing for my book that had fallen in his seat. For whatever reason, M lost grip on the book and it once again flew through the air. In my hastiness to catch the book it bounced off the back of the seat in front of me and hit me in the throat. I started coughing and turned away towards the isle. To no avail. As the large fellow was pushing his way through the chaos tobacco juice landed all over the back of his pants but it didn’t seem to matter as he pushed through the isle and ran to rear of the plane saying “excuse me, please; excuse me, please; excuse me, please.”

I gathered myself, my books and wished the M&M’s a nice day. I took another middle seat at the rear of the plane between a Bulgarian and a German and was able to finish reading my book. I thought about how cultivated, ultimately, the large fellow was that pushed his way with so many excuse me’s through the isle so that he could throw-up in the bathroom. About two hours before landing the Bulgarian was bored and asked if he could try some chewing tobacco. I warned him that it’s not an easy thing to start and he should be careful. He shook off my warning and by the time we landed he was as a pale and sweating as the large fellow with the pants full of my spit.

* “Getting Along With the Germans” by Bob Larson is a very funny and enjoyable read if you can still get a copy. The book is prefaced by Manfred Rommel.

-tgs-

Technorati Tags: , , ,

powered by performancing firefox


Living in Germany, Brits Got Balls

February 13, 2007

Warning. This post contains extreme language. Warning, warning. This post contains graphic language that makes hip-hop acceptable in kindergarten (no pun intended). Triple warning. For those with a weak stomach when it comes to facing the realities of life in rural bum-fuck America, you should click a hyperlink to somewhere else now. Or try this very short story which may help you find your God…

I bitch about (living in) Germany a lot. I can do that because, well, I’m half kraut. In fact, I’m every kraut’s fuckin’ nightmare because I know this place (Germans) like the back of my hand – and I refuse to submit myself to being just half German. This leads to a few problems. One, most Germans don’t like me because I’m constantly ranting on their way of (superficial) life. Two, every two years I stand in front of a German bureaucrat and piss away my precious time to get that official stamp in my passport. With every visit to the German bureaucrat some idiot looks at me, then s/he looks at the numerous visa stamps in my passport, and then looks back at me, and then looks back at my file, and then with a typical (German) sour puss face and a humdrum voice says: vud jew like two halve citizen-chip? I look at his naive ass and say… “are z’papers soft enough to wipe my ass with?” The German bureaucrats just don’t get it and they never will.

Seriously. Germans should be nicer to people, whether half-breed or not, who come here to live, learn the language, play by the rules, offer a bit of mix-up into the slowly rotting blood supply of Germanic procreation, and don’t (want to) live off the exuberant welfare system.

I mean, come on. No one, and I mean no one, wants (as in “voluntary”) to come to Germany to just fuckin’ live. You know, like move here or immigrate. People come to Germany because, well, they have to or there’s no other choice. Basically it’s like this: Sweden won’t take anyone because they really put effort into guarding their blood supply, Denmark turns everyone down after thirty-six tries, Holland has said they won’t take anyone that checks the box on the country-entry-form that indicates they don’t like the smell of cheese, Spain is already full of olive pickers, Italy is full of Germans and France… Well, France is obviously already full, of course, of the French. Yet there are still those who make it to Germany. To provide further perspective, those who do make it to Germany are 1) someone who comes from a country so fucked up that they’ll do anything – even deal with the German sour puss faces – to avoid some pseudo-fascist trying to stick an electrode up their ass, or, 2) people who are more than willing to accept the idea that Germany really is nothing more than a fucking whore-house right in the middle of jerk-wad Walt Disney’s wettest dream.

You see, being the opportunist swine that I am, I would accept German citizenship because that would alleviate my having to face fuck-in-the-ass bureaucrats every two years. But I would never give up my original citizenship just because the backward krauts don’t allow duel nationality. So fuck them.

Now, for those of you who don’t spend any time at this blog, let me recap something before you judge me by what’s posted here today. I live here because I have to. This “have to” has to do with my responsibility as a father and as a companion to someone I love. But it’s still very hard. To deal with it all I try to find outlets. You know, I go to the Frankfurt train station at night and pick fights with guys who think they’re tough. Or I go to petite bourgeois clubs and insult the people who think their shit doesn’t stink because of the luck they had of being born to Wirtschaftswunder parents. And then there is the occasional brilliance of Anglo-comedy coming from Britsh dudes who really wish they were German.

Speaking of those wonderful, anemic, inbred-challenged Brits…

The video below got me laughing so hard that my recent hernia felt as though it was coming back. I really can relate to this little outing of the Top Gear elitist crew – this is actually what these guys should be doing: showing the world the fucked-up reality of social and cultural misdirection. Although I think these guys are all pricks, whoever came up with this idea should be given a prize. I don’t know… dumb-fuck of the year award, I guess. Keep in mind that I grew-up in Maryland, near the Virginia boarder with a German mother and a Polish stepfather. That literally makes me a very confused American. When I went “north” I was a Confederate. When I was in the south I was a Yankee – except to those who knew enough about the civil war and the role Baltimore, Charles County and Dr. Mudd played in that war. Anywho, check out this vid and have a seriously scary laugh. It’s funny how bumbling Brits can’t make cars but they sure can talk shit about them and be funny at the same time. OK. They don’t actually talk about cars in this vid…

-tgs-

Technorati Tags: , , ,

powered by performancing firefox


Recommending A Nice Short Story, Blogging, Trackback 2

February 9, 2007

This post is about the frustration of (worst)writer learning how to blog – here for previous installment. Later, if you will, I’d like to recommend a really nice short story that I didn’t write.

First. Learning to blog. What the hell are tags? I joined that site del.ico.us (or how ever it’s written) and I have a list of tags there that could go from here to China. Actually, I’m getting ahead of myself. I still don’t understand trackback(ing). And what about… Blogroll. This is supposed to be, like, a list, right? I have a few blogs on my blogroll. Yet, I’m still not quite sure what the whole “blogroll” thing is all about. Meeting people? Sharing each other’s misery? Joining some group to talk about how bad things are? Will have to read up on it eventually – just like I’m reading-up on tags. Say! I have learned, I think, unlike (sarcasm) the tag thing, one can easily over do it with listing all her/his sites of interest in a blogroll. You know, it gets crazy like with bookmarks. So I learned from bookmarks that blogroll(s) can get out of hand but now I have too many tags – which means, like in real life, I’m all alone with too much of everything I don’t need. I’ll never figure all this krapp out…

Boo f’n who.

Ain’t it great that there are some good struggling writers out there?

Second. I discovered a while back sites like distraction no. 99 which lead me Courtney Summer – or was it the other way ’round? No matter. These are just two links to sites about some pretty good writing. In turn these sites have really great blogrolls that will take you to various other sites about writing. I think. You know, being a failed writer is easy on the Internet because before the Internet and before the whole blogging thing I was in my own little world where I could write plays and stories and novels and they were all… Well, they were all just grand. Life really is good when you live in your own little world. Then the whole inter-networking of computers comes along and suddenly you see what the rest of a world of writers is doing. Needless to say, being humbled can be a quicky.

Anywho. I’m not just trying to promote blogs here. But I am trying to brown-nose a bit…. ;-)

distraction no. 99 is an example of some pretty good writing from someone who is struggling to write. I recently read a story from distraction no. 99 and I thought it was excellent. Struggling to write is not an easy thing to grasp but when I read the work of other struggling writers who produce such fine material things start to click in my little brain… My own procrastination becomes a nasty belly ache, for example.

There are a lot struggling writers out there that take advantage of all this tech-krapp for their writing benefit. Another example is Courtney Summer’s – she’s the one who provided the link to short story mentioned above by distraction no. 99. Kind of confusing, uh. So this is what blogroll(ing) is all about?

I’m from the old school so I won’t make things as complicated. Here’s the direct link to the story “Last Resort” which is not written by me. Don’t ask me to explain how this happens but I got the link at Courtney Summer’s site but the story is from the person that runs distraction no. 99. When I went to distraction no. 99 I couldn’t find this story. Trust me, all this inter-networking stuff can be trying. At least it’s a cool story.

Rant and write on.

PS This is my second attempt at trackback(ing). Does this work?

-tgs-

Technorati Tags: , ,

powered by performancing firefox


Notes, Stories That Will Never Be, Self Dialog

February 5, 2007

Here, here and here for more on past attempts at (worst)writing that are as identical as current and upcoming attempts…

The notes (pics below) are from 1989. It’s a precarious undertaking to decide what to post in this blog. Obviously, I have more than enough material from the past – oh, failing is long-winded and personally historical, indeed. Won’t be able to post all (my) material unless I can hire a staff of two, three or six nice German women to take care of the finer details – but such a combination is very impractical and, as noted here, a driver of misery. On the other hand, I could try to hire a staff as many other famous novelist do but that would lead some to think that I’m actually claiming to be someone I am not… (a writer worth publishing?)

“What of the future material, Tom? Stop ranting and get on with some productive work. Stop crying…”

A few times a month I go through boxes and folders and rubber-band wrapped paper that contains lots of bad hand(worst)writing and think…

“Hey, I could post that. Wait. Post that. No. Post this…”

It’s almost become nostalgic for me to try and figure out what to post – because I’ve actually started to look at things (worst)written from many years ago. They are all still just as bad.

“I wrote that mess,” I say.

“Of course. You’re a really bad writer and you make no sense and that’s why you have to do this,” I respond. “It’s the tech industry that’s responsible for this mess!”

“There you go again. Blaming. Victimization. Come on. Don’t be so hard on the careerist-tech-industry for enabling and facilitating the digital fifteen minutes of fame that is making so many people happy these days.”

“Why not? They deserve ridicule as anyone else. That’s only fair.”

Less often though I will have a discussion along these lines.

“Self?” I say. “Is this really necessary?”

“Of course not,” I answer. “But you are a person of the twenty first century – everything everybody else does is just as useless. We all do things just becasue we can.”

And the humdrum bells of nevermore gather rhythm and take me to a lonely place of lost Catholicism atop a hill town in northern Italy that breeches the mindset of acceptable murder because of the death of the feminine in Christianity. There I weep into pre-packaged wine bottles and think that as a (worst)writer I am also a (great)note-taker and that must be OK. Yeah. After failing for so long, giving up on trying to convince the decider’s-of-fate this is all I have left. The notes. So many really bad (worst?) notes.

ideas_nonsense_1.jpg ideas_nonsense_2.jpgideas_nonsense_3.jpg

-tgs-

Technorati Tags: , , , ,

powered by performancing firefox


Introversion, Blogging, Trackback

February 3, 2007

Beware. A post in two parts that I’m not sure have anything to do with each other. But go with me here. Give it a whirl.

Part One

I’m gradually trying to figure out, at least to a somewhat deeper level, how this blog stuff really works. The reality is the more I blog the more fascinating it becomes. But I’ve reached a wall. For example, I have put little effort into acquiring readers and people are actually finding and viewing, if not reading, what I’ve been posting. Because I’ve been posting some pretty obnoxious and inhuman stuff it’s hard for me to understand why people actually read my work.

Here and here for examples of obnoxious stuff, if you like.

Recently I’ve realized that the thing that’s holding me back is the whole tech stuff behind blogging. I guess, in a way, I’m getting greedy, I actually wouldn’t mind more readers – but I don’t want to do more than being just (worst)writer. In my search to figure out the tech stuff – and to me “tech” equates with making things easier and not more difficult – I happened across this site:

Bloggersblurt – a kind of normal language tech helper, I think.

I found this site when searching for info on how to increase blog readership. All I’ve done up to now is manually push my site to others. For example there are places like digg, reddit. You can post your posts there and, well, hope for the best. They kind of aggregate content, I guess. To be honest, I don’t understand those sites and there’s got to be a better=easier way. (No smart-ass comments about how I should have better content, please.)

Then there’s the idea of trackback with WP. This post is actually my first post using trackback – because in part two I’m referencing a site. Right? Of course, as an introverted blogger, I’ve waited too long to try this functionality. To be honest, again, I find “trackback” to be difficult to conceptualize. Bloggersblurt has made things somewhat easier to understand. But there is a problem. To me, the whole idea of actually working in tandem with someone else is, well, weird. If I wanted to work with others then wouldn’t I… I don’t know… Be more friendly with the stuff I posted at my site? Whatever.

Part two

While checking out Bloggersblurt I read a post about introversion and blogging. I got kinda riled when I read the post. Blogherald, the site that Bloggersblurt referenced, put together a list of what qualifies someone as introverted in the context of blogging. As I read this I got to thinking:

Gee, you remember that chick/dude in school/college that looked as though s/he never washed her/his hair, s/he walked around with slump shoulders and head hanging to the ground? If you tried to talk to her/him they talked as though the world was coming to an end. As you struggled through the monotony of standardized education you kept seeing this person roaming around campus. Did you think that person was introverted?

I won’t outright shoot down the assumptions made by Blogherald. I’ll just kinda add my two-cents based on what I remember of introverts.

According to Blogherald an introvert has the following characteristics (#).

According to (Worst)Writer an introvert has the following characteristics (indent).

1. you prefer to be alone, rather than in groups

Because you don’t wash your fuckin’ hair and it stinks no group of hip iPod totting shits will let you hang-out with them.

2. you are extremely sensitive to criticism

You know that criticism is nothing more than superficial conversation among compulsive careerists.

3. you have a lower than average self-esteem, and strong feelings of incompetence (may feel like a fraud)

You know that the problem with Adolf Hitler was that he was an under-achiever. (-Bill Hicks)

4. you feel cautious at sharing ideas (a big stumbling block for bloggers!)

You feel the need to covet knowledge because it is your security blanket in a world of thieving and self serving automatons or over educated consuming numb-nuts.

5. you prefer a concise/precise writing style

You have finally recognized that language has been completely corrupted by pop-culture and the future of communication lies in the emotional response to light from any flat-screen color device passing through your eyes.

6. you rarely feel confident in your knowledge, even of topics on which you are legitimately an expert

You are an expert at anything because you have mastered the compulsive behaviorist movement of Googling.

7. you need coercion to offer opinions or make contributions

At the wisp of a credit card you can alter your own world by joining the bandwagon and owning gadgets that raise the walls that enclose you.

8. you hate small talk, but desire serious & in depth discussions

You know that talk is cheap if it doesn’t lead to an increase in your bank account(s).

9. you pursue opportunities to work in isolation

You have recognized the fact there are no choices left, there is no originality, there is no creativity, everyone is self-centered, everything is corrupt, there is no pie left, etc., and you therefore find comfort in isolation.

10. you respect the opinions of others and consider them carefully

You think an an opinion is like an asshole – everyone has/is one. So what.

11. you use the Internet as a comfort/buffer zone to explore how ideas are received

You can’t get published in the real world so you blog and that gives you a little tingling feeling in your gut and makes you sit up in your chair in your room with the very high walls.

12. you tend to think at length before speaking

You ramble on about nothing because 99% of life today is nothing and that’s what scares you into eternal silence.

13. you notice yourself entering and exiting periods of low energy levels, which, when severe enough, can paralyze your productivity

You reach for another drink (or pill or whatever) to cure the hangover you know is twenty-first century life.

-tgs-

Technorati Tags: , , ,

powered by performancing firefox